Jozef Israëls quotes
![As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right.... There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each.... [with] standing light and the paintings positioned on an easel or standard behind.... I just want to add here, that my own studio can serve as a very special model.... concerning the sizes and the lighting. (Jozef Israëls)](https://cdn.quotesdtb.com/img/quotes_images_webp/16/jozef-isra-ls-add-851216.webp)
The title [of an album with prints of Israels and poems after his pictures, made by Nicolaas Beets ] will not be I hope 'Kroost der zee' ['Offspring of the Sea']. I think this is an insufferable dissonance. Call it 'Sketches from Fisher's life - of B to J.' I think that is the best, the simplest and the most attractive name. Also the word 'to' gives me justice, otherwise people will think that I made them [his pictures] after Beets and not Beets [his poems] after me.
Jozef Israëls
.. an original Jewish art can only come into existence when the Jews have own ground under their feet and live in freedom [Bainin asked him: 'is that not what Zionism wants to reach?'] Yes, Zionism is a noble thought, but who knows whether they will reach their goal? Herzl visited me [in The Hague, Oct. 1898], he is a noble man and believes in his idea. But who will know... Now it is our duty to fight against Antisemitism, to protest against the injustice and violence that is done to us.... what is the essence of Jewish art should be determined by writers and art critics: we painters must work and not philosophize.
Jozef Israëls
As I hear, you are the possessors of one of my favorite paintings 'The children on the beach' and I can tell you that few pictures by me, have so much figures, busy in the subject. Therefore I mean that this picture is an unicum and I hope you will give it a good light and place in your gallery.
Jozef Israëls
.. I would like to ask your advice as a friend, namely whether you believe I should submit my painting 'Ouden en Jongen' [Old and Young ones'] to Brussels [exhibition] or not. I thought it was a nice painting, but now I read in the Handelsblad that it is so bad. What is truth about that. Please do me the favor to sent me some words sans facon [straight forward], what is your opinion about this.
Jozef Israëls
He [the painter J. A. Kruseman in Amsterdam] is very amicable with his students without exposing his mastery to disdain. I sometimes see him painting from time to time. And I almost visit daily his studio. You must know that his students don't work in the same room where the big man is staying... Sometimes one or two days pass that he doesn't see our work, he let follow the students their own way most of the time... Thanks God he tells me I have feeling and talent.
Jozef Israëls
But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.
Jozef Israëls
And there we have my good rabbi.... he came up so tired in the studio, and then I put him down here. There was such a real seat in that guy, so with his pants slumped. That's nice, isn't it, that long black cloak with those wide folds and that slackly beer mat. He is holding the Torah role in his arm, do you see?... I known that old rab for a lot of years already, and with Purim and Rosh HaShanah [Jewish New Year] he comes faithfully around for his douceur [tip].
Jozef Israëls
I heard nothing from his excellence [Mr. Keiller bought a picture of 1000 pond and sent Israëls the money but no word about the picture]... I am sure he will be satisfied by it when he hears it is good. I have some practice in those matters of amateurs. The best pictures are the worst for them naturally. They have not the tools to understand it, but when they hear other saying it is fine, they make a high breast saying 'I' ordered that picture..
Jozef Israëls
.. it [his watercolor 'New Flower' ['Het Bloempje', 1880] is one of those pictures, I did my best to finish it highly, as the story is nice and pleasant [where] other pictures may be more necessarily rough or strong being paint in an other mood. But this new flower needed a tender hand and conspicuous attention for details.
Jozef Israëls
No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.
Jozef Israëls
.. on my travels, for example, abroad,.. I see things that attract me, in the works of others, - which impress me. That's what you reflect upon at times. And when you come home you think: Me too have to make something like that... Then you start, and when it's finished it looks like the work of that person or another... But your own originality doesn't get lost, - your sentiment remains!.. And this happens not only to me, - this happens to others also... Unintentionally you continue to build on motives of others..
Jozef Israëls
Actually I don't have any painting at home.... they take away everything from me, almost before it's finished... That Jewish scribe there, is sold to [Dutch art-seller] Buffa, and it isn't finished at all yet. And this 'Kolen lossen' is also sold... Then I have here 'The Mowers' - just set up... And that drawing here, will be a good piece too!.. That will become a large painting: a 'Jewish Wedding' - at the moment the groom puts the ring on the finger of his bride.... you can't see very much yet, do you? (translation from the original Dutch: Fons Heijnsbroek)
Jozef Israëls
You cannot know at all what will comes out of you because all your knowledge is running otherwise. What you do not know and what you thought that there would not come at all, that comes out and appears at once, sometimes with a curse and a sigh, and there you have it. - Everything ends well. I made things that I had forgotten for twenty five years. At first I knew them too well, but then I forgot them, I 'had to' forget them. And then I made them. - If some work does not becomes beautiful, well, then you go back to do something else. Worrying doesn't help at all. It will be better later? No, you should not say such things, because you don't know anything about 'becoming better'. (translation from the original Dutch: Fons Heijnsbroek)
Jozef Israëls
