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Shaun Tan quotes - page 2
Sometimes I write captions on the in-flight magazines and then replace them in the seat pocket.
Shaun Tan
It was better to be known as the kid who could draw than as the short kid.
Shaun Tan
I think 'The Road' is a good example of a book everyone should read, but I wouldn't recommend it to young kids.
Shaun Tan
My friend Markus Zusak wrote a story from the point of view of death, 'The Book Thief.' I thought that's a great idea, where your omniscient narrator is death. I'm glad he had that idea because I wouldn't have been able to work so well with it.
Shaun Tan
As an artist, even if you are putting out something really dark and disturbing, that's good because it's opening a discussion. Always in the back of my mind is this thought that the world has to be a better place with you in it.
Shaun Tan
There's a sort of absurdity to Australia and the so-called New World nations. I sensed it all the time growing up in Western Australia, which is really remote.
Shaun Tan
Depression is the flip side of creative inspiration but it can be useful. It's telling you to stop for a little bit. You can become so fully absorbed in the world of creative work that it can lead to some imbalance in your life.
Shaun Tan
I'm often wary of using the word 'inspiration' to introduce my work -- it sounds too much like a sun shower from the heavens, absorbed by a passive individual enjoying an especially receptive moment. While that may be the case on rare occasions, the reality is usually far more prosaic. Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.
Shaun Tan
I don't get really inspired the way some people do, buzzing with ideas - it feels like hard work to me... but once I get hooked into the universe of a particular work it becomes almost like an aesthetic addiction.
Shaun Tan
What I love about Inuit carving is that it's so narrative, but it doesn't have the temporal dimension of an illustrated picture, where it feels like something happens before or after. Everything is happening in the sculpture, and you can hold the whole story in your hand. A lot of these sculptures are small enough that you can hide them in your hand completely so you're not looking at them, you're just feeling them. I.
Shaun Tan
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