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Stephanie Zacharek quotes
While 9 Songs is sexually explicit in the basic sense, its directness is what's most fascinating, and ultimately most moving, about it.
Stephanie Zacharek
Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.
Stephanie Zacharek
The bigger question to ask about 300 is why, for a supposedly rousing tale of heroism, it's so curiously unaffecting.
Stephanie Zacharek
We've moved away from being a culture of people who think about movies to one made up of people who believe that spouting a list of preferences is the same as registering an opinion.
Stephanie Zacharek
It's impossible to tell what's going on at any given moment in Tomb of the Dragon Emperor; it's even harder to care about being able to tell.
Stephanie Zacharek
Batman Begins leaks existential phoniness from the first frame.
Stephanie Zacharek
You can talk film theory till you're blue in the face, but in the end, the thing that may haunt you most about a movie is a pair of eyes.
Stephanie Zacharek
I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.
Stephanie Zacharek
Monster is a compassionate picture without any obvious agenda. And it's effective precisely because it's not a polemic.
Stephanie Zacharek
Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.
Stephanie Zacharek
The scariest thing in it may be the way the clock radio has a way of turning itself on, loudly, of its own accord. The song is always the Carpenters' "We've Only Just Begun." Now that's horror.
Stephanie Zacharek
There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.
Stephanie Zacharek
This isn't a picture filled with wonder and a sense of fun; it's so jaded and crass that I almost wonder if it's a highly unscientific experiment designed to gauge how little audiences will settle for these days. Manic and multicolored, Speed Racer is an excess of nothingness.
Stephanie Zacharek
It's time to start recognizing that not all escapist entertainment is created equal. And that some of it isn't even entertainment. Miss March is, to use the vernacular of the escapist moviegoer, the biggest pile of crap I've seen in ages.
Stephanie Zacharek
It's guilty of the very thing that makes kids hate history as a subject when it's taught badly: The Da Vinci Code makes the past feel like a dull, grainy, faraway thing, instead of something vibrant and alive.
Stephanie Zacharek
This film "Phantom" takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.
Stephanie Zacharek
This is a sturdy little cop thriller, and even when it stretches the bounds of plausibility, you go with it, partly because you believe -- almost against your better judgment -- in what the characters are doing.
Stephanie Zacharek
It would be destined for the trash heap of Shakespeare adaptations, if not for its female lead, and its heart, 17-year-old Claire Danes.
Stephanie Zacharek
This sprawling epic is as lively as a natural history museum diorama.
Stephanie Zacharek
It's mournful and troubling in a way that goes beyond ordinary movie manipulation. It burns clean.
Stephanie Zacharek
[Director James] Cameron manhandles the real story, scavenging it for his own puny narrative purposes. It's a film made with boorish confidence and zero sensitivity, big and dumb and hulking.
Stephanie Zacharek
I suspect this picture is pretty close to what fans were hoping for, and for their sake, I'm glad it's markedly better than the two that preceded it. But Revenge of the Sith is still crap.
Stephanie Zacharek
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