Colin Wilson quotes - page 5
Maslow explained that, some time in the late thirties, he had been struck by the thought that modern psychology is based on the study of sick people. But since there are more healthy people around than sick people, how can this psychology give a fair idea of the workings of the human mind? It struck him that it might be worthwhile to devote some time to the study of healthy people.
Colin Wilson
And at once I saw with great clarity that human beings possess two bodies. One is the physical body, the other -- just as real, just as self-contained -- is the emotional body. Like the physical body, the emotional body reaches a certain level of growth, and then stops. But it stops rather sooner than the physical body. So most of us possess the emotional body of a retarded adolescent.
Colin Wilson
In most men, the conscious and the unconscious being hardly ever make contact; consequently the conscious aim is to make himself as comfortable as possible with as little effort as possible. But there are other men, whom we have been calling, for convenience, ‘Outsiders', whose conscious and unconscious being keep in closer contact, and the conscious mind is forever aware of the urge to care about ‘more abundant life', and care less about comfort and stability and the rest of the notions that are so dear to the bourgeois.
Colin Wilson
For me [fiction] is a manner of philosophizing ... Philosophy may be only a shadow of the reality it tries to grasp, but the novel is altogether more satisfactory. I am almost tempted to say that no philosopher is qualified to do his job unless he is also a novelist ... I would certainly exchange any of the works of Whitehead or Wittgenstein for the novels they ought to have written.
Colin Wilson
Now, obviously, the human race is on the point of an extremely interesting evolutionary development. The first step towards escape from this vicious circle is to recognize that the apparent "ordinariness" of the world is a delusion. If we could become deeply and permanently convinced that the world "out there" is endlessly exciting, we would never again allow ourselves to become trapped in the swamp of "taken-for-grantedness". And we would become practically unkillable. Shaw says of his "Ancients" in Back to Methuselah "Even in the moment of death, their life does not fail them". "Life failure" is that feeling that there is nothing new under the sun, and that we all have to accept defeat in the end. If we could learn the mental trick of causing the dynamo to accelerate, this illusion would never again be able to exert its power over us.
Colin Wilson
History has a way of reducing individuals to flat, two-dimensional portraits. It is the enemy of subjectivity, which is why Stephen Dedalus called it "a nightmare from which I am trying to awake". If we think of Kierkegaard, of Nietzsche, of Hölderlin, we see them standing alone, outside of history. They are spotlighted by their intensity, and the background is all darkness. They intersect history, but are not a part of it. There is something anti-history about such men; they are not subject to time, accident and death, but their intensity is a protest against it. I have elsewhere called such men "Outsiders" because they attempt to stand outside history. which defines humanity on terms of limitation, not of possibility.
Colin Wilson
As man loses touch with his 'inner being', his instinctive depths, he finds himself trapped in the world of consciousness, that is to say, in the world of other people. Any poet knows this truth; when other people sicken him, he turns to hidden resources of power inside himself, and he knows then that other people don't matter a damn. He knows the 'secret life' inside him is the reality; other people are mere shadows in comparison. but the 'shadows' themselves cling to one another. 'Man is a political animal', said Aristotle, telling one of the greatest lies in human history. Man has more in common with the hills, or with the stars, than with other men.
Colin Wilson
What is beginning to emerge, then, is a theory about psychic sensitivity. It runs as follows. When I relax deeply, it is as if someone opened up the partition between the two compartments of my brain, turning them into a single large room. I experience a sense of mental freedom as if I can suddenly breathe more deeply, and a feeling of contact with things. Everyone has had the experience of being in a state of hurry or excitement, and failing to notice that they have bruised or scratched themselves -- until the excitement evaporates and the pain makes itself known. Hurry and tension raise our sensitivity threshold, and at the same time, erect a glass wall between us and reality. In the "unicameral" state, this wall vanishes, and everything seems more real.
Colin Wilson
One simple method is to take a pen or pencil and hold it up against a blank wall or ceiling. Now concentrate on the pen as if it is the most important thing in the world. Then allow your sense to relax, so you see the pen against the background of the wall. Concentrate again. Relax again. Keep on doing this until you become aware of the ability to focus attention at will. You will find that this unaccustomed activity of the will is tiring; it produces a sense of strain behind the eyes. My own perception is that if you persist, in spite of the strain, the result is acute discomfort, followed by a sudden immense relief - the 'peak experience.
Colin Wilson
It reminds us that a man driven to desire to possess a certain female is a highly purposive individual. We have already noted that evolution tends to mark time when individuals have no reason to evolve. The same applies to individuals; they may be talented and intelligent, and yet waste their lives because they somehow lack the motivation to make use of these faculties. The best piece of luck that can befall any individual is to have a strong sense of purpose.
Colin Wilson
The 'open' mind of the poet and artist can sense realities beyond the reach of our normal senses. The real problem is that our materialistic assumptions have a number of false premises built into them: it is only when we recognize this that we see there is no sharp dividing line between the everyday world and the invisible world of the clairvoyant.
Colin Wilson
There is in Shaw, as in Gurdjieff and Nietzsche, a recognition of the immense effort of Will that is necessary to express even a little freedom, that places them beside Pascal and St. Augustine as religious thinkers. Their view is saved from pessimism only by its mystical recognition of the possibilities of pure Will, freed from the entanglements of automatism.
Colin Wilson
Because the book became a freak 'bestseller', because I found myself bracketed with the 'Angry Young Men' of the period, I found myself carried to 'fame' on a wave of publicity -- only to discover that this kind of fame is one of the subtlest forms of obscurity. Everybody knew who I was, and nobody knew what I stood for. The public image meant that nobody was interested in what I had to say, for everyone was convinced that they already knew. I could talk until I was blue in the face about my attempt to revise the pessimistic existentialism of Heidegger, Camus and Sartre; as far as most people were concerned, I was an autodidact who was angry about something or other.
Colin Wilson
The point I wish to make is that I became aware that we discipline our minds to see only certain aspects of the world; life is complicated, and we need all our wits about us to deal with its complexities. There would be no great point in having second sight or thaumaturgic powers for most of us. But it is worth observing that they can generally be developed where needed.
Colin Wilson
No art can be judged by purely aesthetic standards, although a painting or a piece of music may appear to give a purely aesthetic pleasure. Aesthetic enjoyment is an intensification of the vital response, and this response forms the basis of all value judgements. The existentialist contends that all values are connected with the problems of human existence, the stature of man, the purpose of life. These values are inherent in all works of art, in addition to their aesthetic values, and are closely connected with them.
Colin Wilson
The case is a good example of what Van Vogt came to call "the violent man" or the "Right Man." He is a man driven by a manic need for self-esteem - to feel that he is a "somebody." He is obsessed by the question of "losing face," so will never, under any circumstances, admit that he might be in the wrong.
Colin Wilson
