Zadie Smith quotes - page 6

I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time. (Zadie Smith)
I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
Zadie Smith
I wouldn't write about people who are living and who are close to me, because I think it's a very violent thing to do to another person. And anytime I have done it, even in the disguise of fiction, the results have been horrific.
Zadie Smith
The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
Zadie Smith
Can't a rapper insist, like other artists, on a fictional reality, in which he is somehow still on the corner, despite occupying the penthouse suite?
Zadie Smith
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Zadie Smith
I don't keep any copies of my books in the house - they go to my mum's flat. I don't like them around.
Zadie Smith
I'm very attracted to exile literature - particularly Nabokov - exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
Zadie Smith
Novels are not about expressing yourself, they're about something beautiful, funny, clever and organic. Self-expression ? Go and ring a bell in a yard if you want to express yourself.
Zadie Smith
I lost many literary battles the day I read 'Their Eyes Were Watching God.' I had to concede that occasionally aphorisms have their power. I had to give up the idea that Keats had a monopoly on the lyrical.
Zadie Smith
You hear girls in the toilets of clubs saying, 'Yeah, he fucked off and left me. He just couldn't deal with love. He was too fucked up to know how to love me.' Now how did that happen? What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping madonna, or the face of Christ in a ciabatta roll-then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time. (Zadie Smith)
A past tense, future perfect kind of night.
Zadie Smith