John Leonard (critic) quotes
The magaicians of the 19th century, enthralled by the science of optics, photography and electricity, opened the door to motion pictures and thereby rendered themselves obsolete. Any amateur with a pair of scissors can cut and edit a strip of film in order to make a woman vanish, sever a head, burn a body down to the skeleton and reverse time. Talent went out of style.... People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care. Illusion became big bigness, and the magicians were out of work.
John Leonard (critic)
Crossing color, class, gender, and generational lines, the communities of addiction and recovery are as democratic as America gets. Twelve-step meetings are in fact downright radical: nonprofit and nonhierarchical, with a fierce etiquette of listening to and caring about everyone who wanders into the rooms.
John Leonard (critic)
It makes me itchy, this wry fatalism, but it doesn't make me itch nearly as much as the heroes of so many other modern novels for whom stalking the savage libido is more fun than kinship or community; who will leave town either to find their callow selves, as if they'd lost anything important, or, more transgressively, to kill a bear, a bull, a whale, a unicorn, a hippogriff, a signifier or, preferably, their fathers.
John Leonard (critic)
The words, the style always reflects a habit of mind. And the habit of mind comes in from a different angle. The habit of mind uses the colloquial here and uses the joke there. And then creates some discordant music and then something strange and wonderful happens.
And you see things differently. You see a different light is shed on it.
John Leonard (critic)
The life, no matter how traumatic, never explains the work, if the work is any good. W. B. Yeats, Ezra Pound, Doris Lessing, and Saul Bellow variously believed in faeries, funny money, flying saucers, and orgone energy accumulation, but so have millions of other people who never got around to writing even a mediocre poem or novel.
John Leonard (critic)
