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James Fenton quotes - page 2
Yes You have come upon the fabled lands where myths Go when they die, But some, especially the Brummagem capitalist Juju, have arrived prematurely.
James Fenton
As poets we do not ask permission before we begin to practise, for there is no authority to license us. We do not inquire whether it is still possible to pen a drama, for the answer to that question is ours alone to give. It is our drama, spoken or sung, that asserts our right to the title of poet. It is our decision that counts, and not the opinion of some theatre management, or the ponderings of the critic, or even the advice of our friendliest mentors.
James Fenton
We are never such kleptomaniacs as in our juvenilia. We steal from our masters. We steal from our friends, from our enemies even. We try out tones of voice for which we are ill suited. We write as if we belong to some other period. We are suckers for gorgeous words such as nenuphar, asphodel, and pelf. And because we are not yet in command of our vehicle we get out of control. We reveal ourselves inadvertently and we inadvertently commit ourselves to some point of view that really isn't "us" at all.
James Fenton
Poetry is not a metrical exercise.
James Fenton
'Love' is so short of perfect rhymes that convention allows half-rhymes like 'move.' The alternative is a plague of doves, or a kind of poem in which the poet addresses his adored both as 'love' and as 'guv' - a perfectly decent solution once, but only once, in a while.
James Fenton
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean periods, it is surprising that so little of any value has been added since.
James Fenton
One does not become a guru by accident.
James Fenton
Modernism in other arts brought extreme difficulty. In poetry, the characteristic difficulty imported under the name of modernism was obscurity. But obscurity could just as easily be a quality of metrical as of free verse.
James Fenton
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
James Fenton
I don't see that a single line can constitute a stanza, although it can constitute a whole poem.
James Fenton
I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.
James Fenton
A poem with grandly conceived and executed stanzas, such as one of Keats's odes, should be like an enfilade of rooms in a palace: one proceeds, with eager anticipation, from room to room.
James Fenton
Composers need words, but they do not necessarily need poetry. The Russian composer, Aleksandr Mossolov, who chose texts from newspaper small ads, had a good point to make. With revolutionary music, any text can be set to work.
James Fenton
At four lines, with the quatrain, we reach the basic stanza form familiar from a whole range of English poetic practice. This is the length of the ballad stanza, the verse of a hymn, and innumerable other kinds of verse.
James Fenton
At somewhere around 10 syllables, the English poetic line is at its most relaxed and manageable.
James Fenton
Nobody really knows whether they are a poet. I knew I was interested from the age of 15.
James Fenton
Hearing that the same men who brought us 'South Park' were mounting a musical to be called 'The Book of Mormon,' we were tempted to turn away, as from an inevitable massacre.
James Fenton
A serious mistake in a nightie, A grave disappointment all round Is all that you'll get from th'Almighty, Is all that you'll get underground. Oh he said: "If you lay off the crumpet I'll see you alright in the end. Just hang on until the last trumpet. Have faith in me, chum – I'm your friend."
James Fenton
Tennyson follows his feelings in creating each line. He follows the music in his head. If you had asked him, at the end of the day, to describe the prosody of the poem to you, he would no doubt have had to think for a moment before he could answer you, not because he was ignorant of the terms, but because he had been writing a poem, not a metrical exercise. At every point, he was exerting his free will. And the outcome of that exertion was the form.
James Fenton
It normally happens that if you put two words together, or two syllables together, one of them will attract more weight, more emphasis, than the other. In other words, most so-called spondees can be read as either iambs or trochees.
James Fenton
Can the ear hear a thirteen-syllable line as consisting of thirteen syllables? I don't think so, but I think that a series of thirteen-syllable lines (supposing that was the length chosen) would, after a while, begin to have a characteristic resemblance. For the most part, though, counting the syllables seems to be something that works, if it works, for the poet. It is a private method of organization.
James Fenton
The Mormon mission to Africa, as to other dark-skinned parts of the world, was for a long time hobbled by the racism of the movement's scripture.
James Fenton
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