Lascelles Abercrombie quotes

But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell. (Lascelles Abercrombie)

No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.

Lascelles Abercrombie

The first epics were intended for recitation; the literary epic is meant to be read.

Lascelles Abercrombie

There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.

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The balance of private good and general welfare is at the bottom of civilized morals; but the morals of the Heroic Age are founded on individuality, and on nothing else.

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It is more difficult to keep the attention of hearers than of readers.

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Poetry is the work of poets, not of peoples or communities; artistic creation can never be anything but the production of an individual mind.

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The world knows of a vast stock of epic material scattered up and down the nations; sometimes its artistic value is as extraordinary as its archaeological interest, but not always.

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The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling.

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The epic poet collaborates with the spirit of his time in the composition of his work. That is, if he is successful; the time may refuse to work with him, but he may not refuse to work with his time.

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That is to say, epic poetry has been invented many times and independently; but, as the needs which prompted the invention have been broadly similar, so the invention itself has been. (Lascelles Abercrombie)

The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.

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If epic poetry is a definite species, the sagas do not fall within it.

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Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.

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The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.

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For the stage displays the first vigorous expression, as the natural thing and without conspicuous restraint, of private individuality.

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It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.

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Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.

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With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.

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The glory of the king of all the kings. You with the golden power on your brows, You kings, I think you know not what you are. First you shall learn yourselves: for neither light Understandeth itself, nor darkness light.

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Friends, wives and husbands, sons and daughters, dead
Of plague, famine, and arrows: and the houses
Battered unsafe by cannonades of stone
Hurled in by the Assyrians: the town-walls
Crumbling out of their masonry into mounds
Of foolish earth, so smitten by the rams:
The hunger-pangs, the thirst like swallowed lime
Forcing them gulp green water maggot-quick
That lurks in corners of dried cisterns: yea,
Murders done for a drink of blood, and flesh
Sodden of infants: and no hope alive
Of rescue from this heat of prisoning anguish
Until Assyrian swords drown it in death. (Lascelles Abercrombie)

An epic is not made by piecing together a set of heroic lays, adjusting their discrepancies and making them into a continuous narrative.

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But the development of human society does not go straight forward; and the epic process will therefore be a recurring process, the series a recurring series - though not in exact repetition.

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By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made.

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And where is now that palace gone, All the magical skill'd stone, All the dreaming towers wrought By Love as if no more than thought The unresisting marble was? How could such a wonder pass? Ah, it was but built in vain Against the stupid horns of Rome, That pusht down into the common loam The loveliness that shone in Spain. But we have raised it up again! A loftier palace, fairer far, Is ours, and one that fears no war. Safe in marvellous walls we are; Wondering sense like builded fires, High amazement of desires, Delight and certainty of love, Closing around, roofing above Our unapproacht and perfect hour Within the splendours of love's power.

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