Paul Cézanne quotes - page 2
![Anyone who wants to paint should read Bacon. He defined the artists as homo additus naturae... Bacon had the right idea, but listen Monsieur Vollard, speaking of nature, the English philosopher, [Bacon] didn't for-see our open-air school, nor that other calamity which has followed close upon its heels: open-air indoors. (Paul Cézanne)](https://cdn.quotesdtb.com/img/quotes_images_webp/19/paul-c-zanne-anyone-456219.webp)
Painting certainly means more to me than everything else in the world. I think my mind becomes clearer when I am in the presence of nature. Unfortunately, the realization of my sensations is always a very painful process with me. I can't seem to express the intensity which beats in upon my senses. I haven't at my command the magnificent richness of color which enlivens Nature... Look at that cloud; I should like to be able to paint that! Monet could. He had muscle.
Paul Cézanne
At Aix (Aix en Provence) I am not free; whenever I want to return to Paris, I always have to put up a fight, and, although your (his father) opposition may not be absolute, I am always deeply affected by the resistance that I encounter from you. I sincerely want my liberty unfettered.... it would give me great pleasure to work in the Midi, some aspects of which offer many resources to the painter; there I would be able to attack some of the problems that I wish to solve.
Paul Cézanne
I'd like to combine melancholy and sunshine... There's a sadness in Provence which no one has expressed; Poussin would have shown it in terms of some tomb, underneath the poplars of the Alyscamps... I'd like to put reason in the grass and tears in the sky, like Poussin... You really need to see and feel your subject very clearly, and then If I express myself with distinction and power, there's my Poussin, there's my classicism..
Paul Cézanne
Objects enter into each other... Chardin [French classical still-life painter] was the first to have glimpsed that and rendered the atmosphere of objects... Notice how a light transversal plane straddling the bridge of your nose makes the values more evident to the eye... Well, he noticed that before we did... He neglected nothing. He also perceived that whole encounter in the atmosphere of the tiniest particles, the fine dust of emotion that surrounds objects..
Paul Cézanne
That's my great ambition. To be sure! Every time I attack a canvas I feel convinced, I believe that something's going to come of it... But I immediately remember that I've always failed before. Then I taste blood... I never know where I am going or where I want to go with this damned profession. All the theories mess you up inside.
Paul Cézanne
.. and wanting to force nature to say things, making trees twist and rocks frown, as Gustave Doré does, or even painting it like Leornardo da Vinci, that's literature too. There's logic of colour, damn it all! The painter owes allegiance to that alone. Never to the logic of the brain; if he abandons himself to that logic, he's lost... Painting is first and foremost an optical affair. The stuff of our art is there, in what our eyes are thinking... If you respect nature, it will always unravel its meaning for you.
Paul Cézanne
Maybe Delacroix stands for Romanticism. He stuffed himself with too much Shakespeare and Dante, thumbed through too much Faust. His palette is still the most beautiful in France, and I tell you no one under the sky had more charm and pathos combined than he, or more vibration of colour. We all paint in his language, as you all write in Hugo's.
Paul Cézanne
The point to be made clear is that, whatever may be our temperament, or our power in the presence of nature, we have to render what we actually see, forgetting everything that appeared before our own time. Which, I think, should enable the artist to express his personality to the full, be it large or small. Now that I am an old man, about seventy, the sensations of colour which produce light give rise to abstractions that prevent me from covering my canvas, and from trying to define the outlines of objects when their points of contact are tenuous and delicate; with the result that my image or picture is incomplete. For another thing, the planes become confused, superimposed; hence Neo-Impressionism (initiated by Seurat and Paul Signac, ed., where everything is outlined in black, an error which must be uncompromisingly rejected. And nature, if consulted, shows us how to achieve this aim.
Paul Cézanne
Listen, monsieur Vollard, I worked a lot out of doors at L'Estaque. Except for that there was no other event of importance in my life during the years 1870-71. I divided my time between the field and the studio... Zola closed his letter by urging me to come back to Paris too [in 1872 Cézanne went back to Paris].... but all the same, something told me to go back to Paris. It was too long since I had seen the Louvre. But understand, Monsieur Vollard, I was working at that time on a landscape which was not going well. So I stayed at Aix a little while longer to study on my canvas.
Paul Cézanne
.. But there is better. Simplicity, being direct. Everything else is just a game, just building castles in the sky... Basically I don't think of anything when I paint. I see colours. I strive with joy to convey them on to my canvas just as I see them. They arrange themselves as they choose, any old way. Sometimes that makes a picture. I'm brainless animal. Very content if I could be just that..
Paul Cézanne
When I'am outlining the skin of a lovely peach with soft touches of paint, or a sad old apple, I catch a glimpse in the reflections they exchange of the same mild shadow of renunciation, the same love of the sun, the same recollection of the dew... Why do we divide up the world? Does this reflects our egoism?... The prism is our first step towards God, our seven beatitudes.
Paul Cézanne
There is, in a apple, in a head, a culminating point, and this point - in spite of the effect, the tremendous effect: shadow or light, sensations of colour - is always the one nearest to the eye. The edge of objects recede to another point placed on your horizon. This is my great principle, my conviction, my discovery. The eye must concentrate, grasp the subject, and the brain will find a means to express it..
Paul Cézanne
I work obstinately, and once in a while I catch a glimpse of the Promised Land. Am I to be like the great leader of the Hebrews, or will I really attain unto it?.. I have a large studio in the country. I can work better there than in the city. I have made some progress. Oh, why so late and so painful? Must art indeed be a priesthood, demanding that the faithful be bound to it body and soul?
Paul Cézanne
Degas isn't enough of a painter; he doesn't have enough of that! With a little bit of temperament one can manage to be a painter, It's enough to have a sense of art, and that sense is no doubt what the bourgeoisie fear most... For a painter, sensation is at the bottom of everything. I will go on repeating it forever. Procedures are not what I advocate.
Paul Cézanne
