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Edvard Munch quotes - page 2
A person himself believes that all the other portraits are good likenesses except the one of himself.
Edvard Munch
One can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.
Edvard Munch
This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer's art-and that came in after the civil wars following the French Revolution.
Edvard Munch
In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color.
Edvard Munch
It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
Edvard Munch
Oil-painting is a developed technique. Why go backwards?
Edvard Munch
Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
Edvard Munch
I should have considered it wrong to have finished the Frieze before the room for its accommodation and the funds for its completion were available.
Edvard Munch
By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
Edvard Munch
The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.
Edvard Munch
The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips mouthing defiant words, heedless of restraint or consequence, often overbearing and brutal as only Norwegians can be, vast shadows of impotence misery and shabbiness – spirits training for fulfillment, striving in vain to be great, complete, unique. [Munch describes the environment and atmosphere of the Norwegian bohemia in Kristiana, where he himself lived and worked when he was about 23] And at the center of all the faces there would be Jaeger, whose logic was as sharp as a scythe and as cold as an icy blast..
Edvard Munch
Could only have been painted by a madman.
Edvard Munch
When I write these notes, it is not to describe my own life. I am writing a study of the soul as I observe myself closely and use myself as an anatomical testing-ground. It would therefore be wrong to look on these notes as confessions. I have chosen – in accordance with Søren Kierkegaard – to split the work into two parts; the painter and his distraught friend the poet. Just as Leonarda da Vinci studied the recesses of the body and dissected human cadavers, I try from self-scrutiny to dissect what is the universal in the soul.
Edvard Munch
My afflictions belong to me and my art - they have become one with me. Without illness and anxiety, I would have been a rudderless ship... My art is really a voluntary confession and an attempt to explain to myself my relationship with life - it is, therefore, actually a sort of egoism, but I am constantly hoping that through this I can help others achieve clarity.
Edvard Munch
Grey dawn was seeping into the sick room [around Christmas 1867, Munch was almost dying then and spitting blood when he was 13; but he recovered]. I lay in the middle of the bed with my hands outside the bedclothes, looking straight ahead. Now I was in a pact with God. I had promised to serve him if I survived, if he allowed me to escape the tuberculosis. Now I could never be as before.
Edvard Munch
There must be no more pictures covered in brown sauce [c. 1880, when Munch started to paint series of landscapes in fresh colors].
Edvard Munch
What is art really? The outcome of dissatisfaction with life, the point of impact for the creative force, the continual movement of life.... in my art I attempt to explain life and its meaning to myself.
Edvard Munch
No one in art has yet penetrated as far [as Dostoyevsky into the mystical realms of the soul, towards the metaphysical, the subconsciousness, viewing the external reality of the world as merely a sign, a symbol of the spiritual and metaphysical.
Edvard Munch
To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
Edvard Munch
Realism's 'truth' as embodied in painting and literature now solely consists of things capable of being seen by the eye or heard by the ear. Realism is concerned only with the external shell of nature. People content with the discoveries they have made ignore the fact that there are other things to be discovered, even broader avenues to be explored. They have found bacteria, but not what they consist of. [quote of 1892)
Edvard Munch
Behind the top hats, a little lady wearing lila-coloured tights was balancing on a tightrope in the middle of all that blue-grey tobacco-laden air. I sauntered in among the standing clientele. I was on the lookout for an attractive girl. Yes – that one wasn't bad. When she became aware of my gaze her facial expression changed to that of a frozen mask and she stared emptily into space. I found a stair – and collapsed into it – tired and listless. Everyone clapped. The Lila-clad tightrope-walker curtsied, smiled and disappeared. A group of Romanian singers took her place. There was love and hate – and longing and reunion – and lovely dreams – and that soft music melting together with the colours. The melted notes became green palm trees and steely blue water floating in the blue haze of the room. An artwork is a crystal. A crystal has a soul and a mind, and the artwork must also have these.
Edvard Munch
Nothing ceases to exist – there is no example of this in nature.. .There is an entire mass of things that cannot rationally explained. There are newborn thoughts that have not yet found form. How foolish to deny the existence of the soul. After all, that a life has begun, that cannot be denied. It is necessary to believe in immortality, insofar as it can be demonstrated that the atoms of life or the spirit of life must continue to exist after the body's death. But of what does it exist, this characteristic of holding a body together, causing matter to change and develop, this spirit of life? I felt it as a sensual delight that I should become one with – become this earth which is forever radiated by the sun in such a constant ferment and which lives – lives – and which will grow plants from my decaying body – trees and flowers – and the sun will warm them and I will exist in them – and nothing will perish – and that is eternity.
Edvard Munch
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