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Peter Greenaway quotes - page 9
Money's not interesting -- too easy to get hold of.
Peter Greenaway
The letters Z, O and O dominate the front entrance gates of a capital city zoo. They are made of glass and they tower up two giraffes high. They are the width of one elephant and the colour of bottled blue ink.
Peter Greenaway
Why illustrate a great piece of writing whose very advocacy and evocation and efficacy lies within its very existence as writing?
Peter Greenaway
Nun 1: Sir, it is only a play... with music. Do not distress yourself.
Peter Greenaway
No -- but I have a feeling your mother was.
Peter Greenaway
A little gold and a little charcoal, / A little bone, a little wax. / A little alcohol, a little horror and a little gum. / A little ivory, / a little sulphur, / a little damp dust, / a sluice of fluids.
Peter Greenaway
Outside in the garden, the greenhouse collapses. Masonry crashes from the roof and splashes into the moat. The grave-marker for the pig Hortense moves up out of the ground. The Maillol statue stands firm as the shrubs around it quiver. A water-main bursts in the yard sending a shower into the air. Trees fall as though whipped down to the ground. The water on the lake shimmers and ripples like a film run backwards.
Peter Greenaway
Later this device of mirror and mirror-carriers will be developed and many changes rung from its possibilities.
Peter Greenaway
You have no right to be jealous of a woman who wants to be more of a woman by watching a man dressed up as a woman.
Peter Greenaway
No -- that's true. But it's an anniversary I shall always celebrate I shall always celebrate even if you won't. And you won't.
Peter Greenaway
Then I think you have a choice -- please your mother or face criminal charges.
Peter Greenaway
French Cuisine. By Guillaume Rosart. Publisher Henri Simonel. In 1950 it cost me twenty francs -- about 2 pounds -- about 15 pounds now.
Peter Greenaway
Too late. Too late to retreat. Your heart is open. The book has got you. Your body is wide open. This rat of a book has invaded your privacy, worried its feeling into your entrails by every private passage.
Peter Greenaway
Shoes: gloves for the feet.
Peter Greenaway
This is a book and a body that is so warm to the touch. My touch.
Peter Greenaway
A long white dress that starts under the breast and travels on interminably down -- so their legs are entirely mysterious -- they could have one leg or two inside that dress... A Jane Austen woman could be incredibly passionate inside that dress.
Peter Greenaway
The large body of the swan wedged in the shattered glass of the car windscreen fills the film frame. Its head is bent back on itself in a parody of its orthodox gracefulness.
Peter Greenaway
Painting: Once upon a time a painting was a two-dimensional representation; now it is anything its author thinks is appropriate.
Peter Greenaway
It tells you how to boil water. What expression to wear when you are eating eggs. How to starve. When to eat. What your first meal should be. What your last meal should be. It says more about death than eating and more about living than cooking.
Peter Greenaway
His writing -- in so many languages -- made me a sign-post pointing east, west, north and south. I had shoes in German, stockings in French, gloves in Hebrew, a hat with a veil in Italian. He only kept me naked where I was most accustomed to wearing clothes.
Peter Greenaway
It is the trajectory of a thrown stone. It follows the hump of a humped-back whale from nose to tail. It's bounded like a smooth, sheep-cropped, grassy hill. It is a graph-line through a grey, blue, and then a grey again, sky.
Peter Greenaway
Two children die. An accident and a suicide amongst so many murders. A chance death and a death of self-recrimination. Smut and the Skipping Girl have been aping their parents and elders -- perhaps they could now teach them a lesson -- all the machinations and game-playing and adjusting for sexual and emotional positioning is not worth the effort.
Peter Greenaway
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