Joan Miró quotes

I try to apply colors like words that shape poems, like notes that shape music. (Joan Miró)
The works must be conceived with fire in the soul but executed with clinical coolness.
Joan Miró
For me an object is something living. This cigarette or this box of matches contains a secret life much more intense than that of certain human beings.
Joan Miró
What I am looking for... is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what St. John of the Cross, I think it was, described with the term 'mute music'.
Joan Miró
Painting must be fertile. It must give birth to a world.... it must fertilize the imagination.
Joan Miró
To gain freedom is to gain simplicity.
Joan Miró
The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.
Joan Miró
I begin my work under the effect of shock, which I can sense and which gets me on the run from reality... In any case, I need a starting point, even if it's just a speck of dust or a gleam of light.
Joan Miró
Picasso was wild about it and said it was one of the best things I have ever made. [on Miro's exhibition in Paris, 1938 where he showed a big frieze, made for a children's room; commissioned by art-dealer Pierre Matisse in New York].
Joan Miró
[to] think, in a certain way, of the power and severity of Romanesque paintings... Go to the beach and make graphic signs in the sand, draw by pissing on the dry ground, design in space by recording the songs of the birds, the sounds of water and wind.... and the chant of insects.
Joan Miró
My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details. (Joan Miró)
to try also, inasmuch as possible, to go beyond easel painting, which in my opinion has a narrow goal, and to bring myself closer, through painting, to the human masses I have never stopped thinking about.
Joan Miró
Quote of Miró on a visit of Calder who brought with him the small mechanical circus made from wire: a letter by Miro, 17 March 1964 / Correspondence 61; as cited in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 33.
Joan Miró
We see ourselves confronted with pure abstraction. Small problems and highly obscure subjects are, if you will, always grand in intention, and the layman would casually and quite undisparagingly trample on them if they were to serve as carpet motifs.
Joan Miró
Childhood and magic are married in this poem inscribed in infinity, like traces on walls or cracks in venerable walls, superimposed posters lacerated by wind, rain and poetry; calligraphy and ideograph intermerge in this equation.... in this sign.
Joan Miró
Decoration. Very rapidly executed, at one go, spontaneously [reflection of making a mural on the site for the terrace plaza hotel in Cincinnati]. What takes a long time in my case is the work of silent reflection; it is impossible for me to predict the duration of this preparatory period. You have to keep in mind that it is by no means a matter of just doing a large picture, and though it will not be possible to paint a true mural by attacking the wall directly, in fresco, to do so will require persistence while maintaining, as much as possible, the spirit of the great tradition of mural painting. I shall have to go to Cincinnati in advance as soon as I can, to view the architecture and its environs, because otherwise I would only create an easel painting in large format.
Joan Miró
Let's transplant the primitive soul to the ultramodern New York, inject his soul with the noise of the subway, of the 'el', and may his brain become a long street of buildings 224 stories high.
Joan Miró
When I first saw Calder's art very long ago [c. 1928 in Paris, Miro saw Calder performing his mechanical 'Circus' for the Paris' art scene, all puppets made from metal wire and wood] I thought it was good, but not art.
Joan Miró
And then, as you can see, I give greater and greater importance to the materials I use in my work [c. 1936]. A rich and vigorous material seems necessary to me in order to give the viewer that smack in the face that must happen before reflection intervenes. In this way, poetry is expressed through a plastic medium, and it speaks its own language.
Joan Miró
Have you ever heard of anything more stupid than 'abstraction-abstraction'? and they ask me into their deserted house [probably Miro meant the group 'Abstraction-Création', founded by a. o. Jean Arp and André Breton; both coined Miro's art in 1931 as 'mobile' and 'stabile'] as if the marks I put on a canvas did not correspond to a concrete representation of my mind, did not possess a profound reality, were not a part of the real itself.
Joan Miró
.. something as sensational as [a] heavy weight prize fight.... a rain of swings, uppercuts, and straight right and lefts to the stomach and everywhere throughout the entire event – a round lasting about twenty minutes. [remark on a ballet Miro planned to, c. 1930]. (Joan Miró)
How did I think up my drawings and my ideas for painting? Well I'd come home to my Paris studio in Rue Blomet at night, I'd go to bed, and sometimes I hadn't any supper. I saw things, and I jotted them down in a notebook. I saw shapes on the ceiling..
Joan Miró
In the current struggle I see the antiquated forces of fascism on one side, and on the other, those of the people, whose immense creative resources will give Spain a drive that will amaze the world.
Joan Miró
I was very interested in the reproductions of your [ Calder's ] sculptures. I have looked at them many times [Calder sent him], and they are something completely unexpected. You are taking a path full of great possibilities. Bravo! Sculpture is of enormous interest to me right now. For the last two years [1944-46], during summer vacation, that's all I have been doing and it's very good for a painter to get away from the old story of canvas and frame every now and again.
Joan Miró
I have thought a lot about the question of titles. I must confess that I find any for works that take off from an arbitrary starting point and end with something real.... [Miro allowed Pierre Matisse to make titles, based on the] real things.... [if they do] not evoke some tendency or other, something I want to avoid completely [very probably Miro meant here: the Surrealists ]. [advising Pierre Matisse; who showed then several modern European painters in New York].
Joan Miró