Neil Gaiman quotes - page 3
On the battlefield called Vigrid, the gods will fall in battle with the frost giants, and the frost giants will fall in battle with the gods. The undead troops from Hel will litter the ground in their final deaths, and the noble Einherjar will lie beside them on the frozen ground, all of the them dead for the last time, beneath the lifeless misty sky, never to rise again, never to wake and fight.
Neil Gaiman
And the second thing fiction does is to build empathy. When you watch TV or see a film, you are looking at things happening to other people. Prose fiction is something you build up from 26 letters and a handful of punctuation marks, and you, and you alone, using your imagination, create a world and people it and look out through other eyes. You get to feel things, visit places and worlds you would never otherwise know. You learn that everyone else out there is a me, as well. You're being someone else, and when you return to your own world, you're going to be slightly changed. Empathy is a tool for building people into groups, for allowing us to function as more than self-obsessed individuals.
Neil Gaiman
I don't know what it's like to be God - obviously ...until that very first moment when you get to sit down and type the words in your script: INTERIOR. TARDIS. ... Suddenly I got a very good idea of what it must feel like. I went: "I'm writing it now this scene in the Tardis. I'm writing it!"
Neil Gaiman
What most people don't know about love, sex, and relations with other human beings would fill a book. Strangers in Paradise is that book. I have long suspected that what people did in private was much funnier than it ever was erotic. Terry Moore obviously thinks so too. Strangers in Paradise is a delightful new comic, and Terry Moore is a fun writer and a fine cartoonist.
Neil Gaiman
For the uninitiated, Good Omens is a story about how the world is going to end next Saturday. Just after tea. And how the only things standing between us and the inevitable Armageddon are a demon, Crowley, and an angel (and rare book dealer), Aziraphale, who are, rather uncomfortably, working together, not to mention a witch, a very small witchfinder army, the Antichrist (who is 11, and very nice) and his dog.
Neil Gaiman
Chesterton and Tolkien and Lewis were, as I've said, not the only writers I read between the ages of six and thirteen, but they were the authors I read over and over again; each of them played a part in building me. Without them, I cannot imagine that I would have become a writer, and certainly not a writer of fantastic fiction. I would not have understood that the best way to show people true things is from a direction that they had not imagined the truth coming, nor that the majesty and the magic of belief and dreams could be a vital part of life and of writing.
And without those three writers, I would not be here today. And nor, of course, would any of you. I thank you.
Neil Gaiman
But libraries are about freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information. I worry that here in the 21st century people misunderstand what libraries are and the purpose of them. If you perceive a library as a shelf of books, it may seem antiquated or outdated in a world in which most, but not all, books in print exist digitally. But that is to miss the point fundamentally.
Neil Gaiman
Travers's Mary Poppins was a natural phenomena, ancient as mountain ranges, on first-name terms with the primal powers of the universe, adored and respected by everything that saw the world as it was. And she was a mystery. ... philosophically, I suspect now, the universe of Mary Poppins underpins all my writing ...
Neil Gaiman
Chesterton was important - as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien's words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.
Neil Gaiman
Nothing will remain of the armies of the living and of the dead, of the dreams of the gods and the bravery of their warriors, nothing but ash.
Soon after, the swollen ocean will swallow the ashes as it washes across all the land, and everything living will be forgotten under the sunless sky.
That is how the worlds will end, in ash and flood, in darkness and in ice. That is the final destiny of the gods.
Neil Gaiman
Libraries really are the gates to the future. So it is unfortunate that, round the world, we observe local authorities seizing the opportunity to close libraries as an easy way to save money, without realising that they are stealing from the future to pay for today. They are closing the gates that should be open.
Neil Gaiman
