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Neil Gaiman quotes - page 2
Do not be jealous of your sister. Know that diamonds and roses are as uncomfortable when they tumble from one's lips as toads and frogs: colder, too, and sharper, and they cut.
Neil Gaiman
Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.
Neil Gaiman
He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.
Neil Gaiman
Because," she said, "when you're scared but you still do it anyway, that's brave.
Neil Gaiman
We all – adults and children, writers and readers – have an obligation to daydream. We have an obligation to imagine. It is easy to pretend that nobody can change anything, that we are in a world in which society is huge and the individual is less than nothing: an atom in a wall, a grain of rice in a rice field. But the truth is, individuals change their world over and over, individuals make the future, and they do it by imagining that things can be different.
Neil Gaiman
Children, as I have said, use back ways and hidden paths, while adults take roads and official paths.
Neil Gaiman
I went away in my head, into a book. That was where I went whenever real life was too hard or too inflexible.
Neil Gaiman
Adults follow paths. Children explore. Adults are content to walk the same way, hundreds of times, or thousands; perhaps it never occurs to adults to step off the paths, to creep beneath rhododendrons, to find the spaces between fences. I was a child, which meant that I knew a dozen different ways of getting out of our property and into the lane, ways that would not involve walking down our drive.
Neil Gaiman
And there never was an apple, in Adam's opinion, that wasn't worth the trouble you got into for eating it.
Neil Gaiman
Why do I have this imagination? It's the only one I've got!
Neil Gaiman
Honestly, if you're given the choice between Armageddon or tea, you don't say "what kind of tea?"
Neil Gaiman
We live in a world in which the only utopian visions arrive in commercial breaks: magical visions of an impossibly hospitable world, peopled by bright-eyed attractive men, women, children... Where nobody dies... In my worlds people died. And I thought that was honest. I thought I was being honest.
Neil Gaiman
I was a normal child. Which is to say, I was selfish and I was not entirely convinced of the existence of things that were not me, and I was certain, rock-solid unshakably certain, that I was the most important thing in creation. There was nothing that was more important to me than I was.
Neil Gaiman
I think... I would rather recollect a life misspent on fragile things than spent avoiding moral debt.
Neil Gaiman
And he still thinks, in the little bit of his head that's still him, that he's not a zombie. That he's not dead, that there's a threshold he hasn't stepped over. But he crossed it long time ago.
Neil Gaiman
She does not know where any tale waits before it's told. (No more do I.) But forty thieves sounds good, so forty thieves it is. She prays she has bought another clutch of days. We save our lives in such unlikely ways.
Neil Gaiman
Terry Pratchett and I met in February 1985, in a Chinese restaurant. I was a young journalist. He was a former journalist and Electricity Board PR, and a writer who had just published his second Discworld novel. I was the first journalist who had ever interviewed him. I remember we made each other laugh a lot. We laughed at the same things. We became friends. It was easy.
Neil Gaiman
We have an obligation to make things beautiful. Not to leave the world uglier than we found it, not to empty the oceans, not to leave our problems for the next generation. We have an obligation to clean up after ourselves, and not leave our children with a world we've shortsightedly messed up, shortchanged, and crippled.
Neil Gaiman
The little folk dare anything", said his friend. "And they talk a lot of nonsense. But they talks an awful lot of sense, as well. You listen to 'em at your peril, and you ignore 'em at your peril, too.
Neil Gaiman
We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes.
Neil Gaiman
I wrote the first 5,000 words of William the Antichrist. It had a demon named Crawleigh. He drove a Citroen 2CV, and was ineffectual. Proper demons like Hastur and Ligur loathed him. It had a baby swap. I sent it to a few friends for feedback. Then my graphic novel Sandman happened, and it was almost a year later that the phone rang. "It's Terry," said Terry. "'Ere. That thing you sent me. Are you doing anything with it?" "Not really." "Well, I think I know what happens next. Do you want to sell it to me? Or write it together?" "Write it together," I said, because I was not stupid, and because that was the nearest I was ever going to get to Michaelangelo phoning to ask if I wanted to paint a ceiling with him.
Neil Gaiman
... the beast made the noise of a cat being shampooed, a lonely wail of horror and outrage, of shame and defeat.
Neil Gaiman
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