Henry Adams quotes - page 11
The spire is the simplest part of the romanesque or gothic architecture, and needs least study in order to be felt. It is a bit of sentiment almost pure of practical purpose. It tells the whole of its story at a glance, and its story is the best that architecture had to tell, for it typified the aspirations of man at the moment when man's aspirations were highest.
Henry Adams
In the center sits Mary, with her crown on her head and her son in her lap, enthroned, receiving the homage of heaven and earth; of all time, ancient and modern; of all thought, Christian and Pagan; of all men, and all women; including if you please, your homage and mine, which she receives without question, as her due; which she cannot be said to claim, because she is above making claims; she is empress. Her left hand bore a sceptre; her right supported the child, who looks directly forward, repeating the mother's attitude, and raises his right hand to bless, while his left rests on the orb of empire. She and her child are one.
Henry Adams
Like all great churches, that are not mere store-houses of theology, Chartres expressed, besides whatever else it meant, an emotion, the deepest man ever felt,- the struggle of his own littleness to grasp the infinite. You may, if you like, figure in it a mathematic formula of infinity,- the broken arch, our finite idea of space; the spire, pointing, with its converging lines, to Unity beyond space; the sleepless, restless thrust of the vaults, telling the unsatisfied, incomplete, overstrained effort of man to rival the energy, intelligence and purpose of God. Thomas Aquinas and the schoolmen tried to put it in words, but their church is another chapter. In act, all man's work ends there;- mathematics, physics, chemistry, dynamics, optics, every sort of machinery science may invent,- to this favor come at last, as religion and philosophy did before science was born.
Henry Adams
The Chartres apse is as entertaining as all the other Gothic apses together, because it overrides the architect. You may, if you really have no imagination whatever, reject the idea that the Virgin herself made the plan; the feebleness of our fancy is now congenital, organic, beyond stimulant or strychnine, and we shrink like sensitive plants from the touch of a vision or spirit; but at least one can still sometimes feel a woman's taste, and in the apse of Chartres one feels nothing else.
Henry Adams
Among the thirteenth-century windows the Western Rose alone seems to affect a rivalry in brilliance with the lancets, and carries it so far that the separate medallions and pictures are quite lost,- especially in direct sunshine,- blending in a confused effect of opals, in a delirium of color and light, with a result like a cluster of stones in jewelry. Assuming as one must, in want of the artist's instruction, that he knew what he wanted to do, and did it, one must take for granted that he treated the Rose as a whole, and aimed at giving it harmony with the three precious windows beneath. The effect is that of a single large ornament; a round breastpin, or what is now called a sun-burst, of jewels, with three large pendants beneath.
Henry Adams
...in his case it went further and became indifference to social distinction. Never once in forty years of intimacy did his son notice in him a trace of snobbishness. He was one of the exceedingly small number of Americans to whom an English duke or duchess seemed to be indifferent, and royalty itself nothing more than a slightly inconvenient presence. This was, it is true, rather the tone of English society in his time, but Americans were largely responsible for changing it, and Mr. Adams had every possible reason for affecting the manner of a courtier even if he did not feel the sentiment. Never did his son see him flatter or vilify, or show a sign of envy or jealousy; never a shade of vanity or self-conceit. Never a tone of arrogance! Never a gesture of pride!
Henry Adams
...he took his lesson of political morality as learned, his notice to quit as duly served, and supposed his education to be finished.Everyone thought so, and the whole City was in a turmoil. Any intelligent education ought to end when it is complete. One would then feel fewer hesitations and would handle a surer world. The old-fashioned logical drama required unity and sense; the actual drama is a pointless puzzle, without even an intrigue. When the curtain fell on Gladstone's speech, any student had the right to suppose the drama ended; none could have affirmed that it was about to begin; that one's painful lesson was thrown away.
Henry Adams
Society swarmed with exaggerated characters; it contained little else.Often this eccentricity bore all the marks of strength; perhaps it was actual exuberance of force, a birthmark of genius. Boston thought so. The Bostonian called it national character - native vigor - robustness - honesty - courage. He respected and feared it.
Henry Adams
...but society called them professors, and professors they had to be. While all these brilliant men were greedy for companionship, all were famished for want of it. Society was a faculty-meeting without business. The elements were there; but society cannot be made up of elements - people who are expected to be silent unless they have observations to make - and all the elements are bound to remain apart if required to make observations.
Henry Adams
Mystics like Saint Bernard, Saint Francis, Saint Bonaventure or Pascal had a right to make this objection, since they got into the Church, so to speak, by breaking through the windows; but society at large accepted and retains Saint Thomas's Man much as Saint Thomas delivered him to the government; a two-sided being, free or unfree, responsible or irresponsible, an energy or a victim of energy, moved by choice or moved by compulsion, as the interests of society seemed for the moment to need.
Henry Adams
